This is a 'live' search function — just start typing to see results...
You can search by name, or by any term — for example you can see entries to do with 'painting', 'mountain' or 'design'.
Wrap your search term in double quotes "like this" to find a phrase or exact match...

PRINT SHOP:
J Yuen Ling Chiu

‘Improvisation 5, Variation 5 (framed)’

Unique multiplate etching,
50cm × 50cm, Edition of 1
£565

‘Improvisation 5, Variation 1 (framed)’

Unique multiplate etching,
50cm × 50cm, Edition of 1
£565

‘Residents of the Royal Iris I (unframed)’

Etching,
25.5cm × 35.5cm, Edition of 20
£180

‘Residents of the Royal Iris I (framed)’

Etching,
25.5cm × 35.5cm, Edition of 20
£240

‘Residents of the Royal Iris II (unframed)’

Etching,
35.5cm × 25.5cm, Edition of 20
£180

‘Residents of the Royal Iris II (framed)’

Etching,
35.5cm × 25.5cm, Edition of 20
£240

‘Morning Gathering’

Etching,
26.0cm × 26cm, Edition of 27
£120

‘Plate No. 1 (unframed)’

Etching,
50cm × 50cm, Edition of 3
£295

‘Plate No. 2 (unframed)’

Etching,
50cm × 50cm, Edition of 3
£295

‘Plate No. 3 (unframed)’

Etching,
50cm × 50cm, Edition of 3
£295

‘Plate No. 8 (unframed)’

Etching,
50cm × 50cm, Edition of 3
£295

‘Snacking on what's left (blue)’

Relief,
19cm × 28cm, Edition of 10
£65

‘Snacking on what's left (green)’

Relief,
19cm × 28cm, Edition of 10
£65

‘Pigeon Looking Left I (unframed)’

Etching,
25.5cm × 35.5cm, Edition of 5
£240

‘Pigeon Looking Left II (unframed)’

Etching,
25.5cm × 35.5cm, Edition of 5
£240

‘Morning Gathering’

Etching,
26.0cm × 26cm, Edition of 27
£160

‘Dockyard Diary: April’

Multiplate etching,
78cm × 58cm, Edition of 1
£685

‘Dockyard Diary: April’

Multiplate etching,
78cm × 58cm, Edition of 1
£685

‘Arrive early for all the best spots (unframed)’

Etching,
22cm × 19cm, Edition of 28
£90

‘Arrive early for all the best spots (unframed)’

Etching,
22cm × 19cm, Edition of 28
£115

‘Find a place on the wall where you can (unframed)’

Etching,
22cm × 19cm, Edition of 28
£90

‘Find a place on the wall where you can (framed)’

Etching,
22cm × 19cm, Edition of 28
£115

‘Catch up on all the latest (unframed)’

Etching,
22cm × 19cm, Edition of 28
£90

‘Catch up on all the latest (framed)’

Etching,
22cm × 19cm, Edition of 28
£115

‘Catch up on all the latest (unframed)’

Etching,
22cm × 19cm, Edition of 28
£90

‘Look at what's going on over there (unframed)’

Etching,
22cm × 19cm, Edition of 28
£90

‘Look at what's going on over there (framed)’

Etching,
22cm × 19cm, Edition of 28
£115

‘After the rain (Warm Yellow) (unframed)’

Etching,
32cm × 37cm, Edition of 4
£180

‘After the rain (Warm Yellow) (framed)’

Etching,
32cm × 37cm, Edition of 4
£225

‘After the rain (Ultramarine) (unframed)’

Etching,
32cm × 37cm, Edition of 4
£180

‘After the rain (Ultramarine) (framed)’

Etching,
32cm × 37cm, Edition of 4
£225

‘After the rain (unframed)’

Etching,
32cm × 37cm, Edition of 4
£180

‘After the rain (framed)’

Etching,
32cm × 37cm, Edition of 4
£225

‘After the rain (trial proofs various) (unframed)’

Etching,
28cm × 38cm, Edition of 5
£180

‘Test Product’

Print,
46cm × 32cm, Edition of 36
£1

‘Quietly, quietly (unframed)’

Stone and plate lithograph,
20cm × 20cm, Edition of 20
£120

‘Quietly, quietly (framed)’

Stone and plate lithograph,
20cm × 20cm, Edition of 20
£160

‘Waterloo Angel (unframed)’

Screenprint,
£125

J Yuen Ling Chiu

Ling is a London-based printmaker and artist educator, from Toronto, Canada. Her work explores the architecture and pattern of memory, with especial attention to relationships between urban landscapes, migration, and empire. Her studio practice often shifts between themes, underpinned by a formal exploration of the medium of printmaking.

Thames-side Print Studio is proud to present her newest body of work, ‘Improvisations’. Plant matter collected during her daily commute along the Thames Path is deeply etched into large steel plates using acrylic grounds and saline sulphate solution. The plates are printed in small editions, and then form a library of imagery, surface and texture that can be used over and over again. These improvisations are developed directly on the press and result in unique prints in sequence, a composition that is practiced and changed with each performance, akin to music as much as art.

Researching lower-toxicity and more sustainable processes, Ling’s new work reflects on the changing nature of printmaking, its environmental impact, and the effects of the climate crisis on artistic practice.

Results